Tess Taylor’s first book of poetry, The Forage House (Red Hen Press; 88 pages), is a far-ranging exploration of a family’s role in the United States’s past. Called “brave and compelling” by U.S. Poet Laureate Natasha Trethewey, Taylor’s collection mediates the historical record that too often embellishes or deletes the legacy of slavery. Framed as a first-person lyrical attempt to understand family history, The Forage House contains no easy solutions to the problems of inherited guilt. Rather, Taylor’s poems outline emotional experience within archival reality, achieving a personal historicity that poet Timothy Donnelly calls “scrupulous and artful.”
We talked with Taylor, an East Bay native, about the intricacies and challenges of composing The Forage House.