Through several books of fiction, Lidia Yuknavitch has developed a reputation for playing with language and confronting what a novel can be, both in form and purpose. In her work, plot steps aside for meditations on brutality, passion, lust, agony, and hope, all of which she ruminates on until, as if by magic, they approximate something like an undeniable narrative. Using characters and singular events to flesh out her more abstract points, she has the ability to dig into the more painful and at times disturbing aspects of feelings, resulting in rewarding books.
In her new novel, The Book of Joan (288 pages; Harper), Yuknavitch tries her hand at crafting a Heinlein-esque epic with a feminist twist, a political fable in which the protagonist Joan of Dirt—an unabashed stand-in for Joan of Arc—does her best to take down the misogynistic dictator Jean de Men. de Men has all but depleted Earth’s resources and created CIEL, a space station (and what he believes to be a utopia) for the wealthy who supported and aided his horrific rise to power. While it might seem unclear what his ultimate goal is (or what drove him to it), what is clear is that his designs threaten art and nature.