Author Archives: editor

A Relationship Gone Missing: ‘Love, an Index’ by Rebecca Lindenberg

Many poems of love loss have been written, but none are as difficult to categorize as those in Rebecca Lindenberg’s collection Love, an Index (McSweeney’s; 96 pages). The title itself is a teasing, post-romantic gesture, as though the subject can be summed up in one sequential arrangement. And yet, the poet attempts. But unlike Elizabeth Bishop’s “One Art,” whose world is full of “many things… filled with the intent / to be lost that their loss is no disaster,” Lindenberg’s poems do not possess that self-consoling bravado. Her loss is abrupt and unforeseeable; her lover-poet, Craig Arnold, mysteriously vanishes while …Continue reading

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Pulling Back the Layers: Adrian Wong’s ‘Orange Peel, Harbor Seal, Hyperreal’

Adrian Wong’s three sculptural works comprising Orange Peel, Harbor Seal, Hyperreal, now on display at the Chinese Cultural Center in San Francisco, would likely not exist if it weren’t for a bit of stubbornness on Wong’s part: his refusal to own a smart phone. The accomplished young artist and academic, who splits his time between Hong Kong and Los Angeles, excels at a deliberate kind of urban wandering—one that involves scrupulous attention to a city’s spatial organization, architectural forms, and idiosyncratic stylistic details. It also means frequently getting lost. Having the option to mediate his experience through the two-dimensional layer …Continue reading

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Soaring in the Air, Writhing on the Ground: Bad Unkl Sista’s ‘First Breath, Last Breath’

I could tell the performance I was about to witness late last month was extraordinary even before entering the auditorium, just from watching the audience trickle into Z Space in San Francisco. There was a man who had somehow fused his beard with a slinky-like spiral pipe and wrapped it around his neck like a scarf. There were a few women in Betty Page/rockabilly outfits and the attendant shellacked beehive and Winehouse eyeliner. One girl’s hair resembled a Pantone swatch sheet—literally—small squares of dye checkered her shoulder-length crop. One man, who we found out later was the set designer for …Continue reading

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Finding the Sacred in Life on the Calle: ‘Girlchild’ by Tupelo Hassman

The first thing to be understood about Tupelo Hassman’s debut novel, Girlchild, is that the young protagonist, Rory Dawn Hendrix, is alone. This is not only evidenced in her isolation: living in Reno’s Calle de las Flores trailer park, her general lack of school friends, or the way her poverty is treated coolly by government officials. Rory Dawn’s aloneness comes off in her fearless narration, the way she wanders off unaided into unknown places, to be followed by the adventurous reader. Rory approaches everything familiar with caution. The Calle is her home, but it doesn’t offer the comfort or the …Continue reading

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What We Do to Ourselves, and to the Wild: ‘Raptor’ by Andrew Feld

A bold investigation of cruelty, Andrew Feld’s Raptor (University of Chicago Press; 88 pages) illuminates the visceral details of the external world through electrifying, scary close encounters. Feld wastes no time in announcing his provocation: “You wanted a little bit of wilderness / Held docile on your wrist. What could be tamer / Than extinct?” These lines pierce straight through to the locus of a power struggle where the table is turned on a bird tamer, who is probed by accusations of culpability and blamed for razing what he touches. Feld’s poetry dissects violence and imbues it with drama, provoking …Continue reading

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Imperfect Eulogy for Elmer Morrissey

April 14, 2012. On the 100th annivesary of the Titanic’s collision with an iceberg , the eight crew members of the Low Speed Chase set off on a day-long yacht race. When the 38-foot boat took a turn near the southern edge of the Farralon Islands, erratic and powerful waves threw the crew from their vessel, into the ocean beyond the San Francisco Bay. Three sailors made it onto the island, where the small yacht crashed, and were rescued. One was found dead in the water. Four are still missing. I’ve been waking up in the earliest hours of the …Continue reading

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The Purposes of Rituals: Alain de Botton’s ‘Religion for Atheists’

Atheists and agnostics often dismiss religion’s tenets and rituals as being fashioned to exploit the human need for such things. Our fear of death is assuaged by the promise of an afterlife. Our despair in the face of injustices that we cannot correct is resolved by the assurance that there is a spiritual magistrate in the great beyond that will set things right. Our need for “community” in an increasingly alienating world can be satisfied by formally congregating with others who share our beliefs. The meek shall inherit the earth, the first shall be the last…it all sounds perfectly, cynically, …Continue reading

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Poetry Karaoke, the Russian River, and Murder: Q&A with Bart Schneider

In his new book, Nameless Dame (Soft Skull Press; 296 pages), novelist and poet Bart Schneider picks up where he left off in The Man in the Blizzard, his 2008 crime novel about pothead Minnesota private eye Augie Boyer and police Detective Bobby Sabbatini. In his bouncy if violent, weed- and verse-filled sequel, Schneider brings Augie back to his roots in the Bay Area (roots Schneider shares with the narrator), taking him on a visit to Sabbatini and his family in the bucolic splendor (and weirdness) that is western Sonoma County, with its redneck pot farmers and hippie searchers, to …Continue reading

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Regrouping Abroad and Nearby: ‘Contents May Have Shifted’ by Pam Houston

Like any MFA graduate worth their salt, I have a shelf in my library reserved for the writers I’ve also called my teachers. I mean this in a very literal way, and not in the traditional my-work-is-a-marriage-of-Joyce-and-Tolstoy way of thinking about literary influence; the majority of my artistic mentors have been living, breathing men and women with office hours on Monday and Wednesday afternoons. Pam Houston is one such writer. As the director of the graduate program in creative writing at UC Davis, she’s sold a lot of books to fledgling writers vying for a place in one of her …Continue reading

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Margaret Weatherford: 1966-2012

When I met her at the Iowa Writers’ Workshop in 1989, Margaret Weatherford was the California girl the Beach Boys never imagined: a black-haired, amber-eyed bombshell with her own professional pool cue and a dude’s tolerance for rail whiskey. I was her fan before I was her friend, because – if the first rule of writing school is to write what you know – it was obvious that Margaret knew things no one else could have possibly dreamed up. Her stories were populated by melancholy children, oracular father figures, animal grotesques and obsolete muscle cars. Like me, she had just …Continue reading

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East of the 5, South of the 10

In its Fall 2005 issue, ZYZZYVA published a short story by Margaret Weatherford titled “East of the 5, South of the 10.” The tale–a witty and wised-up L.A. story in which Zeus and Hades have divvied up the Southland between them–marked her first time in print. Margaret Weatherford, born in 1966, died of cancer on March 30.

Along with her story in ZYZZYVA, she was also published in Paris Review Daily and in Little Star. The following is Ms. Weatherford’s story, in its entirety, from our Fall 2005 issue.

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Who’s Afraid of ‘Khirbet Khizeh’?

A few years ago, blogging for another consonant-heavy literary magazine, I put my Comparative Literature degree to use in compiling a series of reading lists (Readings for Revolution and Readings for the Next Intifada, for example) composed to serve as introductions to various countries and conflicts in the Middle East. Since then, I’ve done my best to keep up with recent trends in Hebrew and Arabic literature and have discovered a couple writers who might merit a revision of said lists (the Libyan novelist Hisham Matar, for example). But it has been a long time since I came across a …Continue reading

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