ZYZZYVA EventsFebruary 15, 2018
ZYZZYVA East Coast All-Stars
Location: 7:30 p.m., Greenlight Bookstore, 686 Fulton St., Brooklyn
Description: Readings by recent and Winter Issue contributors Bino A. Realuyo, Annie DeWitt, Jenny Xie, Melissa Hohl, and Kristopher Jansma. Free.
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Monthly Archives: October 2015
Three essays we published in our 100th issue received a Notable from the 2015 Best American Essays. The first of those we’re excerpting is Katie Crouch’s “To Bloom, to Burst, to Blaze.” A study on Sylvia Plath and a first-hand account of San Francisco during its first tech boom, Crouch’s essay is also a meditation on a friendship gone wrong and its accompanying guilt, which is felt many years later.
Katie Crouch has written numerous essays, which have appeared in The New York Times, Slate, the Rumpus, and Garden & Gun. She is also the best-selling author of the novels “Girls in Trucks,” “Men and Dogs,” and most recently, “Abroad” (Picador), now in paperback.
Since 2011, when ZYZZYVA underwent a redesign, a beefed up web site, and a change in masthead, work appearing in the journal has been attracting wide recognition. For its issues appearing in 2011 through 2014, ZYZZYVA has received twenty Notables from the Best American series, as well as inclusions in the Best American Short Stories, Best American Essays, Best American Poets, and Best Nonrequired Reading anthologies; the journal has also received two Pushcart Prizes and four Pushcart Special Mentions in that time.
This month, when the Best American anthologies are in stores, we’d like to excerpt the many stories and essays from 2014 that received Notables from that prestigious series. We’re starting with a story by Elizabeth Tallent, “Mendocino Fire,” from our celebrated 100th issue. The story of the peripatetic life of a young female tree-sitter, raised, and arguably forsaken, in the wilds of the forests of Northern California, it delves into the haunting ache of abandonment and an intense yearning for connection. (It’s also the title story of Tallent’s new collection, published by Harper this month.) Of Elizabeth Tallent’s work, Richard Ford has said, “Her ear is perfect; her gaze searing and unmistakable.” We think you’ll agree.