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Monthly Archives: October 2014
Set during the revolts of the Arab Spring and the collapse of Europe’s economy, award-winning French author Mathias Énard’s new novel, Street of Thieves (265 pages; Open Letter, translated by Charlotte Mandell), follows the life of a young Moroccan man living in the lower fringes of society, always working toward a future that remains a bit out of reach. “Men are dogs,” Énard writes at the beginning, “they rub against each other in misery, they roll around in filth and can’t get out of it…” Amid that grime and grit, we witness the transformation of his narrator, from boy into …Continue reading
The collected pieces in Happiness: Ten Years of n+1 (369 pages; Faber and Faber) range from scintillating reflection, sharp economic or social analysis, realistic and depressing conclusions regarding the fate of the world economy, climate change, and the nature of humankind to the transformation of communication in the technological age, an extended satire on hypochondria and disease in America, and the perverted image of sexuality and portrayal of the self in media. Happiness is a conversation starter—easily accessible to any and all readers, yet nuanced enough to appeal to those who see what the current state of things really is.
William Bostwick begins his narrative with a question: “What we drink reveals who we are but can it also tell me who we were?” Tracking down the answer means Bostwick must balance a bit of time travel with solid historical research, and interview a cast of contemporary brew masters. And taste a lot of beer. When not tending bar in San Francisco or caring for his bees, Bostwick is a beer critic writing reviews for several national publications. He is also a passionate home brewer. Blessed with a sensitive palate and a talent for great storytelling, Bostwick deftly combines his …Continue reading
The Emerald Light in the Air (176 pages; Farrar, Straus and Giroux) features seven stories of men late in their lives—men filled with regret who continue to pursue unrequited love, who force themselves to move on by loving newer, different women, men who come to realize they have no desire. Published in The New Yorker over the past fifteen years, each story in Donald Antrim’s new collection introduces the subtle conflicts of relationship and concludes with the patriarchal imperative of suppressed emotion: in “He Knew,” a man settles on his self-destructive young wife, “absently touching and spinning the gold ring on his finger” …Continue reading
Like films, the poems in Michael Earl Craig’s Talkativeness (104 pages; Wave Books) juxtapose pedestrian settings with dreamlike events. And like films, these poems appeal mostly to the visual sensibility, with spare, declarative language that gets out of the way of their delicately rendered imagery. There are abrupt “cutaways” between unrelated scenes—particularly in such associative pieces as “I Am Examining A Small Crumb” and “Quarter to Five”—and narrative pauses during which the poet fixates on some peripheral animal or prop, like a cinematographer racking the focus of a shot. Film figures explicitly into many of these poems; while Craig’s domestic …Continue reading
Josh Weil, author of the 2009 novella collection The New Valley (Grove Atlantic) and a National Book Foundation “5 under 35” Award recipient, saw his first novel, The Great Glass Sea (Grove Atlantic), published this summer. Moving away from the stark landscape of the Appalachian Mountains valley of his novellas, Weil’s The Great Glass Sea takes place in a near-future Russia, one where giant stretches of farmlands are covered by an ever-expanding greenhouse lit by space mirrors, keeping the crops beneath in perpetual daylight for the sake of productivity in Russia’s new capitalist scheme. In this alienating and unforgiving setting, …Continue reading
At the heart of Ottessa Moshfegh’s first novel, McGlue (122 pages; Fence Books), is a man who dampens life and feeling with drink—a man who is accused of murdering his best friend. Set in the mid-19th century, atop the high seas and throughout New England, the eponymous protagonist awakens aboard a ship, banished to the hold where he languishes drunkenly. As McGlue’s trial for murder approaches, the narrative moves backward in time, through the haze of memory obfuscated by a massive crack to McGlue’s head, which he received falling off a train. Moshfegh, whose stories have been published in The Paris Review, Fence, …Continue reading
Stephan Eirik Clark paints a satirical picture of an American past that remains with us in Sweetness #9 (353 pages; Little, Brown), a vision into the passive life of flavorist-in-training, David Leveraux, whose family eats “stillborn” microwaveable meals and watches personal televisions, which echo to each other down the halls in a sort of Bradburian way. David also carries a secret that has expanded the nation’s waistband even as it has begun to unravel our society’s psychosomatic seams. Full of life after marrying and getting a job at Goldstein, Olivetti, and Dark (Clark is not shy with the acronym), David …Continue reading