ZYZZYVA EventsDecember 12, 2018
Winter Issue Celebration
Location: 6:30 p.m., Dog Eared Books, 900 Valencia St., San Francisco
Description: Featuring readings by Issue No. 114 contributors Meron Hadero, Bruce Snider, Kate Folk, and David Drury. Free.
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Monthly Archives: June 2014
A past contributor to ZYZZYVA (her essay “Cuba+Kids-Water” ran in Issue No. 95), novelist Edie Meidav makes another welcome appearance in our pages, this time in our 100th issue. Her essay, “The Dead Ones,” takes her back to the home of her youth, the Bay Area.
When asked about the background of “The Dead Ones,” Meidav writes, “Sometimes I feel we have these hearts that are like ships crowded with all the people we love or once knew well—so the question becomes how crowded can your ship become?—and every time I beat a path of return to the Bay Area, walking certain streets in that balmy air, I feel both cradled and pierced by memories: the Bay Area is something of my pastoral. (I remember, now, Philip Roth talking about walking Newark before writing American Pastoral.) In the last few years, I kept walking near my former mentor’s house in a state of disbelief that all that vitality had vanished, her wit, her stockinged legs.”
The following is an excerpt from “The Dead Ones.” Edie Meidav will also be one of the readers at ZYZZYVA’s All Star Summer Celebration at 6 p.m. on Thursday, July 17. You can RSVP your free ticket here. And you can order a copy of Issue No. 100 here.
“I want to say what happened / but am suspicious of stories,” begins a poem in Stop Wanting (Cleveland State University Poetry Center, 72 pages), Lizzie Harris’s debut collection, winner of the Cleveland State University Poetry Center’s 2013 First Book Prize. The simple statement of these opening lines illuminates the entire collection, because at the root of these poems, Harris questions how to retell memory without overwhelmingly fictionalizing. This is especially difficult when what happened frightens both writer and reader. Yet Harris investigates her memory with grace and courage in such beautiful poetry that she leaves the reader shivering, line …Continue reading
With our 30th anniversary approaching in 2015, we would like to occasionally look back on here at some of the incredible work ZYZZYVA has published over the decades—work that announced itself as special even from the journal’s start.
Many of those select stories, poems, essays, and dramas appear in the anthology Strange Attraction: The Best Ten Years of ZYZZYVA (338 pages; $20), which you can order here. Edited by founding editor Howard Junker, the book contains a rich collection of pieces published between in ZYZZYVA between 1985 and 1994, and features writers such as Sherman Alexie, Tess Gallagher, Dennis Cooper, Karen Karbo, Octavio Solis, Lois-Ann Yamanaka, Brenda Hillman, Robert Hass, Kate Braverman, Jane Hirshfield, and many, many more.
Among those stories is “Tracking the Family Beast,” written by a then little known writer named Po Bronson. Published in Issue No. 31 (Fall 1992), the story marked Bronson’s first fiction appearance in print. At the time Bronson was an MFA candidate at San Francisco State University, but he has since become known as a best-selling author and journalist and one of the founders of the San Francisco Writers’ Grotto. The following is an excerpt from “The Tracking the Family Beast,” which is set in San Francisco and details a young man’s crack-up. “I’m not who I thought I was,” says the narrator, at one point. “I didn’t think I could do this sort of thing.”
Riccardo Duranti is perhaps best known for being one of the select people in the world to have translated all of Raymond Carver’s work. (According to Duranti, there have only been two: he and Haruki Murakami). But his work includes translating more than one hundred titles by authors such as Richard Brautigan, Peter Orner, Elizabeth Bishop, Cormac McCarthy, Philip K. Dick, Tess Gallagher, Lou Reed, Sandra Cisneros, Ted Hughes, Nathaniel Hawthorne, Tibor Fischer, Michael Ondaatje, Isaac Bashevis Singer, and many more. Duranti is one of the most notable literary translators of English into Italian, and his career has its roots …Continue reading
San Francisco has long been thought of as the great exception, to use historian Carey McWilliams’ phrase. Located at the far western edge of America, it was also a cultural and political frontier, a very last urban refuge from the rest of the country. In “The Poetic City That Was,” Lawrence Ferlinghetti recalled San Francisco, circa 1951, as “an island, which wasn’t necessarily part of the United States…like Athens at the height of Greek culture.” He woke up 50 years later to find his friends being evicted from their homes, himself priced out of his apartment and art studio. The …Continue reading
Dan Alter is a poet whose work has been published in Camelia, Southern Lights, Zeek, and, now, ZYZZYVA. His poems “Labor Poem No. 10” and “Labor Poem No. 11” appear in Issue No. 100. “I took the form for this series of Labor Poems from Joshua Beckman,” Alter says, “who developed it in his book Shade.”
Alter, who lives in Berkeley and is a union electrician, will be one of several readers at ZYZZYVA‘s All-Stars Summer Celebration on Thursday, July 17, at the McRoskey Mattress Company Showroom in San Francisco. The event is free, and you can RSVP your ticket here. In the meantime, we offer one of Alter’s poems from our milestone issue.
Geoff Nicholson’s newest novel, The City Under the Skin (Farrar, Straus, and Giroux; 272 pages), takes place in an unnamed city where women are kidnapped, then released back into the streets, now bearing poorly tattooed maps across their backs. Told from various points of view, the winding story follows a handful of characters—Wrobleski, a professional killer who begins to collect these tattooed women; Billy Moore, a criminal trying to turn his life around but who agrees to one more job; Zak, who happens to work at a map shop and is unwillingly dragged into the mystery, and Marilyn, who’s obsessed …Continue reading
As the title of Lisa Williams’s new book suggests, this collection of wild and graceful poems are untamed yet bound to the confines of the page. Gazelle in the House (New Issues, 87 pages), Williams’s third poetry collection, showcases the elegant range of a poet who listens deeply to the world around her. In the poem “Thelonious,” she reaches out to the jazz legend, displaying a particular knack for evoking the rhythms found in jazz:, “the crooked / passage that a flood can settle: / nuanced tread, asymmetrical / ramble only he could muster / from the backward drift of …Continue reading