Gladly Going Anywhere Crosley’s Witty Voice Wishes to Take Us

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In a recent interview with FiveBooks, Woody Allen lamented the current scarcity of outlets for comic writing in the grand tradition of James Thurber and Dorothy Parker. It’s an absence most readers may not usually feel until, that is, we run into a snort out-loud, serio-comic, utterly enthralling collection of essays by Sloane Crosley. At which point we have to ask, How have we managed without a weekly dose, and where can we find more? Crosley’s second book of essays, How Did You Get This Number (now available in paperback), picks up on some of the themes (life in Manhattan, […]

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The Strength to Endure the Worst: A Q&A with Filmmaker Tatiana Huezo

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  “The Tiniest Place,” the remarkable documentary by Mexican filmmaker Tatiana Huezo, records the memories of the people of Cinquera, a small town in the mountains of El Salvador that was destroyed by the military during the Salvadorian Civil War. Huezo’s debut film is compelling, formally and emotionally. (“The Tiniest Place” screened at the San Francisco International Film Festival.) We talked to Huezo about the evolution of her film. ZYZZYVA: In the Q&A after one of screenings at the San Francisco Film Festival, you mentioned your grandmother was born in Cinquera. Perhaps we could start there and then talk about […]

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Francine Prose and the Crushing, Comic Discontent of American Life

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As My New American Life (HarperCollins, 306 pages) opens, twenty-six-year-old Lula stares out the window of the suburban New Jersey home where she works as a nanny, waiting without much hope for something, anything, to happen. If life was simple and humans were well-engineered for happiness, Lula might well be content. Yet she’s miserable. It’s not only because Lula is far from her home in Albania and without friends or anybody who shares her history that’s she’s unhappy. In Francine Prose’s new novel, it’s because Lula has begun to experience a uniquely American mode of discontent. Lula has left her […]

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Into the Mainstream: An Essay From the American Book Review

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“We” — meaning Chicanos, Mexican Americans — “are constantly on the lookout for bits of recognition that tell us someone has noticed that we really do exist, not just as a backdrop for immigration policy discussion, or as another of the tourist attractions of the Southwest, but as an active part of American Culture.” In his introduction to the March/April American Book Review, guest editor Ricardo Gilb explains that this special issue focusing on “The Latino West” is “a celebration of Mexican American writing as it exists right now.” There are contributions here from Yxta Maya Murray, Michael Jaime-Becerra, Dagoberto […]

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